According to Vivid Sydney: “Sydney will once again be transformed into a spectacular canvas of light, music and ideas when Vivid Sydney takes over the city after dark from 24 May – 10 June 2013. Colouring the city with creativity and inspiration, Vivid Sydney highlights include the hugely popular immersive light installations and projections; performances from local and international musicians at Vivid LIVE at Sydney Opera House and the Vivid Ideas Exchange featuring public talks and debates from leading global creative thinkers.”
New South Wales Deputy Premier Andrew Stoner officially opened the fifth annual Vivid Sydney festival by lighting the sails of the Sydney Opera House to unveil a stunning visual feast of colour, movement and lighting artistry, with 3D-mapped light projections. The greatly expanded Vivid Sydney this year includes the lighting of the Sydney Harbour Bridge and the transformation of the Darling Harbour into a water theatre.
“The Vivid Light footprint has tripled in size and for the first time Sydney’s Harbour Bridge will come alive with a spectacular installation created through a collaboration between Vivid partner Intel Australia and Sydney’s 32 Hundred Lighting, with support from North Sydney Council, in an interactive programmable lighting installation on the bridge’s western face, controlled by the public from a touch screen located on the Luna Park boardwalk.
With a record number of applications to be part of Vivid Light, one-third of all light installations are from overseas artists, demonstrating the unique platform Vivid Sydney offers to engage with the best of the global creative economy and foster international business opportunities. “Vivid Sydney is where technology, commerce and art intersect—delivering real business outcomes. With 37 per cent of Australia’s creative industries located in NSW, supporting creative industries through events like Vivid Sydney is key to the NSW Government’s strategy to grow the NSW economy,” Mr Stoner said.
“In 2012 Vivid Sydney attracted more than 500,000 spectators and we anticipate numbers will reach well over 550,000 in 2013, injecting around $10 million in new money into the NSW economy.”
Have look at the timelapse video that shows the Canvas of Light that has been projected on the Sydney Opera House: [vimeo vimeo.com/66892937 w=600&h=450]
According to Rioonwatch: “Non-governmental organizations in Rio’s favelas that work with art, culture, sport and civic engagement provide structures that allow young people to escape a career of crime and, by actively showing that drugs, violence and crime are far from dominant elements in favela culture, challenge dominant stereotypes in mainstream society. These are some of the findings of Underground Sociabilities, an inter-institutional research project from the London School of Economics with AfroReggae and CUFA. Sociability refers to the “play-form of social life and the joy and imagination that accompany the experience of the social.”
“The study examines favela life and focuses on how bottom-up NGOs can “rewrite favela environments and establish lines of communication and exchange between marginalised communities and mainstream society.”
“Led by London School of Economics social and cultural psychology professor Sandra Jovchelovitch, the ethnographic and multi-method study based on extensive fieldwork in Cantagalo (South Zone), City of God(West Zone), Madureira and Vigário Geral (North Zone), was conducted between October 2009 and April 2010. The research identifies various facets of favela life: life stories marked by hardship, suffering and hard work; the centrality of the drug trade; the police as the only face of the state; family as central yet unstable; the importance of religion & faith and conviviality & enjoyment; and the necessary role played by organizations that provide support structures and protect against marginalisation.”
“Strong social cohesion in favelas and the paradox that although residents live in fear of the drug gangs and police, they feel safer in their own communities than in the city and are reluctant to cross favela/asphalt borders are striking findings that point to the stigma and discrimination faced by favela residents. According to Underground Sociabilities, NGOs provide models of resistance, providing the possibility for self-development and pushing positive favela representations into the mainstream.”
“Both AfroReggae and CUFA promote social inclusion through a variety of cultural and social activities. They were founded in the 1990s at the height of violence in Rio’s favelas and work to provide opportunities, transform social realities through culture, mediate conflicts and communicate to wider society. Members include hip hop artists (CUFA was founded by MV Bill) and former drug gang members who frequently speak of their experiences and the route to positive self-fulfillment offered by the organizations and their activities.” Sources: Rioonwatch.org, Video: London School of Economics, Picture: Favela Santa Marta by Rogier van den Berg
A recent Dutch study researched the impact of atmosperic variables on the experience of safety among others. Safety in cities is regarded often from the ‘objective’ point of perspective. The subjective side of the matter is just as important. Many ‘objective’ safe neighbourhoods are being experienced as ‘unsafe’. Light, color and sound can add to the feeling of safety. Since many years underground parking is often well-lit and plays music at night. Although lightdesign will not prevent you from being robbed, it could make underground cityscapes much more attractive during day- and nighttime. Furthermore dedicated well-lit bikepaths could offer attractive ‘safe’ nightlanes in the city.